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Deadgirl

Dirs. Marcel Sarmiento, Gadi Harel. DP Harris Charalambous.

This independent feature, shot in L.A., had a completely tapeless pipeline. A Codex system captured the uncompressed output from a Thomson Viper FilmStream camera, enabling the production to take advantage of the camera’s full dynamic range – particularly important for the numerous low-light scenes.

Again Codex provided a central hub for the production’s workflow, enabling instant review and comparative playback on-set. All of this helped the filmmakers to make rapid decisions as to what worked best; to avoid many separate and expensive functions; and bring in an ambitious production for a minimal budget.

The originals of each day's shooting were transferred from the Codex by network to backup storage as full-resolution DPX files. QuickTime files (plus metadata), were produced by the Codex and used for viewing, before being transcoded for the edit in Final Cut Studio.

"Using Codex... resolution and dynamic range were not a concern, and we could walk away at night with our day’s dailies in hand."
Harris Charalambous, DP, Deadgirl